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FromThe Chattanooga Pulse 03/2009
CD Reviews - 3.19.09::Col. Bruce Hampton, Ret.
Songs of the Solar Ping

Written by Ernie Paik
Wednesday, 18 March 2009 16:32


(Brato Ganibe)The Atlanta-based musician Col. Bruce Hampton is a star in the jam-band scene with a devoted following, best known for his material with the ’90s outfit the Aquarium Rescue Unit. Some fans, from the jam-band world, who wanted to expand their Hampton collections may very well have been startled, confused, or simply repelled when delving into his other work. You see, Hampton is a surrealist at heart, with a catalog of out-there music that has drawn its own committed audience. This work, from the late ’60s-early ’70s outfit Hampton Grease Band to his offbeat solo records, leans toward eccentric styles akin to those of Captain Beefheart or maybe Frank Zappa, but more unhinged.

Hampton’s musical worlds occasionally overlap, but his latest solo album, Songs of the Solar Ping, is squarely in the oddball territory that this reviewer finds most endearing out of Hampton’s approaches. There is an unfettered, non-self-conscious spirit throughout the album, particularly when it comes to musicianship; his aim isn’t to demonstrate his chops but to catch the listener off guard, like on the two erratic piano pieces that sound like an untrained version of Cecil Taylor. Some tracks, including the opening title track, dive right into free jazz, with drums and cymbal taps providing a jittery momentum and guitars (which sometimes sound like sitars) weaving a meandering path.

Hampton plays all instruments on the album, with the exception of keyboards played by Dennis Palmer (of the Shaking Ray Levis) on two tracks, which happen to be among the album’s most colorfully deranged numbers. The ones that don’t quite work are the distorted guitar tracks that are reminiscent of a visit to a Guitar Center’s demo room, and some of the album’s best pieces are the ones where Hampton plays around with language (or a lack thereof) and vocal sounds, using mumbled lyrics, gibberish, nonsense, and even gargling noises. Those are the songs that best demonstrate Hampton’s attention-grabbing, wickedly playful, and brain-arresting talents.

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